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Claude Fagé artiste art numérique home déco Claude FAGE artiste peintre
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PRESENTATION

My numeric prints are for the border of the photography and the pictorial art.

It is an art nouveau which it is necessary to perceive as such, fully.

I create, by leaving of my own photos, images which allow my imagination to take shape.

My numeric prints are achieved according a process that guarantees for these art prints an exceptional quality and excellent preservation (paper and ink: Epson process 9 colors) .

Each edition is certified by a dry rubber stamp, is referenced and signed by the artist.

A certificate of authenticity is presented with each work.

My prints are sold clip frame.


Some dates:

1979: First steps as professional photographer, with pictures in black and white.

1982: Présentation of one picture (Espoir) in the exhibition ART EXHIBITION in New York with the " Bilan de l’Art Contemporain", obtaining a silver medal.

1982-1997: On Albert Monnier's tracks, publication of postcards with author's account (always in black and white). A choice that Paul Jay, the conservatory of the Museum Niepce, so translated: "Claude Fagé's postcard reveals a subtle agreement between the man and its scenery, in an instant which whispers in the afternoon. He gives to see what is not necessarily visual, what is not necessarily visible, but what is every day seen ". Participation with numerous shows in all France with the obtaining of various prizes, and estimate of the profession ( hight coted at the“Neudin”).

2005: Passage from the night of the laboratory to the brightness of the colors, from the argentic process to the digital technology, and first exhibitions of digital creations in Chalon-sur-Saône.

In January, 2009: coming out of the first prints.

March 2010: opening of a gallery where we can discover prints, realized from the photographies of the author, henceforth in color.

Estampes  contemporaines Claude FAGE art numérique

APPROACH

In black and white yesterday, in colors today, I always tried to translate the emotion which hides behind the visible.

The photography allowed me very young to realize these fleeting images that are thereflections, the shadows, or still the work of the rust which eats away at metals …

Why have I begun by expressing me in black and white?

Doubtless to get the essential of this permanent fight which takes place between the

light and the darkness.

I so translated a contrasted reality as it is about the work of the people, in their most essential body movements, or of the magic beauty of the women.

After working years in the black of my laboratory, I came to the sensational light of colors. It imposed upon me.

I discovered henceforth the strength of the digital tool which allows me, always by leaving of my shots, to draw from an infinite palette of colors to transcribe the drives of my imagination.

I do not claim to be able to pass on a message, but feelings which need to find an echo to vibrate.


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